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HOWARD CRUSE's
comic strips and humorous illustrations have appeared in Playboy,
The Village Voice, Artforum International, Heavy Metal, The Advocate,
Starlog, and numerous other national magazines.
The son of a Baptist minister, Cruse was
born in 1944 in Birmingham, Alabama. His proximity to that city's
racial turmoil during the early 1960s affected him deeply and
ultimately provided the basis for his internationally acclaimed
graphic novel Stuck Rubber Baby. Despite his attraction to cartooning
from the age of five, Cruse's creative adventures have ranged
far beyond comics, having included a professional acting stint
at the Atlanta Children's Theatre in 1973 and eight months as
Art Director for Starlog magazine in 1978. An undergraduate drama
major at Birmingham-Southern College, Cruse credits his early
emersion in all aspects of stagecraft with sparking his lifelong
interest in the nuanced dialogue and multi-faceted characters
that have been characteristic of his comic book work for over
a quarter-century.
Upon his graduation from BSC in 1968 he
was awarded a Shubert Playwriting Fellowship to Penn State University
but, finding himself unsuited to grad school priorities, he abandoned
further academic pursuits after a single term, where he shared
living quarters and a hippie lifestyle with fellow refugees from
Alabama until the fall of 1969, when he returned to Birmingham
late in 1969 to regroup.
He soon found work in the art department
of a local television station where in addition to designing
station IDs, ads for local advertisers, and cartoon weather board
icons he engaged in improvisational puppetry on a daily afternoon
kiddie show. During downtime and off-hours he sought additional
creative outlets in both mainstream and "underground"
venues. For mainstream audiences he sold Tops & Button, a
daily cartoon panel about talking squirrels, to the Birmingham
Post-Herald; on the heels of his squirrels' debut he created
a far freakier comic strip for the Crimson-White, the student
newspaper at the University of Alabama. After a year spend offering
trippy humor to collegians, Barefootz moved on to appear in a
string of Birmingham-area underground and alternative newspapers,
until Denis Kitchen propelled it into a national spotlight beginning
in 1972 via Kitchen Sink titles such as Snarf, Bizarre Sex, Dope
Comix and Commies From Mars. Kitchen also invited Cruse and Barefootz
along for the ride during his tenure as editor of Comix Book,
an ambitious but swiftly abandoned effort by Marvel Comix to
turn magazine-rack browsers on to underground sensibilities.
From 1975-76 Cruse led a double-life (and
that's not counting his increasingly open gay side). With Kitchen
Sink's help, using money raised among friends to cover printing
costs, Cruse published two issues on his solo title Barefootz
Funnies and continued to contribute to underground comic anthology
titles, all the while holding down a day job pasting up ads and
doing occasional drawings for a prestigious Birmingham advertising
agency. Then Cruse decided he would have to leave Birmingham
behind in order to pursue the full-time cartooning career he
desired. He moved back to New York City and, after false starts
and some months spent at Starlog, he began finding open doors
at Playboy, Heavy Metal, and other newsstand magazines. In 1979
he met and fell in love with native New Yorker Ed Sedarbaum and
the two of them moved into an apartment in Queens. He published
the third and final issue of Barefootz Funnies that year, having
decided it was time to leave that feature behind in order to
take his work in new directions. Shortly thereafter Denis Kitchen
asked if he would edit a new underground comic book series to
be called Gay Comix, and the new direction took off.
Editing and contributing to Gay Comix provided
Cruse with a perfect opportunity to begin being totally open about
his sexuality without apologizing for it (He had published his
first gay-themed story in Barefootz Funnies #2 back in 1976 but
had stopped short of declaring his own orientation at that point.)
Drawing with new honesty on his personal experiences as a gay
man gave his work a heightened impact, a change that began being
noticed beyond the usual underground-comix circles, leading to
platforms for political satire in The Village Voice and an invitation
by The Advocate, the national gay newsmagazine, to create a new
gay-themed comic strip exclusively for its pages. Wendel was
Cruse's response.
Wendel's largely comedic but progressively
substantive depiction of 1980s gay life lived in the shadow of
hostile moralists and a horrific epidemic solidified Cruse's
standing as one of America's premier openly gay cartoonists,
aided by Dancin' Nekkid with the Angels, a compilation of the
cartoonist's underground comix published in 1987 both by St.
Martin's Press (in softcover) and by Kitchen Sink Press (in a
signed, limited-edition hardcover). Portions of Wendel Trupstock's
adventures, meanwhile, were collected in book form twice during
the feature's run in The Advocate (first by Gay Presses of New
York; then by St. Martin's Press), and after Cruse discontinued
the series in 1989 its remaining episodes were collected by Kitchen
Sink in a comic book called Wendel Comix. In 1990 Fantagraphics
Books published Early Barefootz, a collection of the 1970-73
Barefootz strips and stories. In 2001 Olmstead Press reissued
the entire Wendel series from beginning to end in an omnibus
collection called Wendel All Together.
Cruse spent four years in the early 1990s
writing and drawing his most widely acclaimed work, the graphic
novel Stuck Rubber Baby, which was published in 1995 by DC Comics
under its Paradox Press imprint. A tale of racial strife, homophobia,
and personal self-discovery set in the American South of the
early-'60s, Stuck Rubber Baby won both Eisner and Harvey Awards
in the U.S. and, in translation, won a Luchs Award in Germany
and a 2002 Prix de la critique at the International Comics Festival
in Angouleme, France. SRB has also been published in Italy and
a Spanish-language edition is forthcoming from Dolmen. (Wendel,
meanwhile, was recently translated for Spanish readers by Ediciones
La Cúpula.)
Cruse's most recent book, his illustrated
adaptation of a fable by Jeanne E. Shaffer entitled The Swimmer
With a Rope In His Teeth, was published by Prometheus Books in
April 2004, the year that Cruse and his partner Ed Sedarbaum
decided to resettle in northwestern Massachusetts after twenty-five
years together in New York City. Long married in spirit, they
were wed legally under Massachusetts law in July 2004.
All Text © Howard
Cruse
For more about Howard Cruse and
his work, visit Howard Cruse Central:
http://www.howardcruse.com
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